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someday i will build a wall by ~livingcomforteagle:iconlivingcomforteagle:



i am still jealous of water—
cupped,
tucked inside
the rivulets and crescents of your palm
while your skin mimics an ocean;
but as soon as you start to take it
away,
it slips, slides, trickles—

it will be held,
bending to fit the poetry
of your hands,

but never
stolen.



we gathered around your hospital
bed and if i closed my eyes i could pretend
it was thanksgiving,
when the house is gold
and our hands are
pinked like bent and pale knees;

and we clasped our hands across
our nipples and you look up
and wave to god like he is
coming for you, and we touch
our nails to our chins and
make new freckles on
our skin. it withers,
lost to a sea of blood too quick
for your veins, and

we talk
as if your heart is already
gone.



i liked you better
yesterday,

when i could take your head in my hands
and hold it like a coin,
and your curls would fall around and
mash against me, and my palms would
be made of silvery thread and
thick skin for the rest of the day;

and when i opened my mouth and
looked to the west i could see
another universe, and i
thought that maybe,
maybe if i kept you here,
maybe if i could hold your stomach and
your nose and your mouth and your
smile, if i could hold them on
the way there then maybe
we could find ourselves somewhere,
we could find ourselves,
we could find
we could
we

and then you picked up your
head and stole my bag
of marbles and i closed my mouth
and looked down
at my feet.



i had that dream
about your skull again.
it rested against my feet like
a fallen apple with stray streaks
of blond cancer, the sun creating
prisons
against my bed.

and i could see your foot hanging
under the mattress with
your eyes pressed around the metal
like faint white lights,
and i was pressing tape against my chest,
sucking in my stomach until
you could feel my ribcage like a
line of polished guns.

then i took your head down to the
kitchen table and i began to kiss
the yellow spots,
and i said, "do you think i'm homely?"
and you began to make
noise from the very hollows of your bones,
like echoes down hallways inside my
ears, and i pressed my cheek
against you and you dissolved like snow
in the curve of my dimple.

when i woke up i did not think about
the blood on the ground,
splattering like the shivery paws
of cats hunting thorns,
and i did not think about the
birds that circled outside
the windows like mindful
shadows,
and i did not think about the
way your hair turned to
mush in my hands;
i think about your face and the
curves in your white cheekbones and
about how lovely you are
in the morning.

and then my head will drop and i will sob;
i wish i was a skeleton, i wish i was a skeleton—
and i wish that we could grind our hipbones
together until the dust
is no more.

i wonder what would happen if we
went outside. maybe people
would watch. i've never
made it past your
melting.



in my head someone is
always yelling.

"unforgivable,"
they say,
"unforgivable."

i close my eyes
to slow the
swelling.



mama miscarried in my lap.

i touch the fingers and
toes one by one, little lowercase
letters and folded flesh, wrinkles
on band-aid skin and tiger-lines on
flower petals,

until they take her, and
her blood flows away
like water
from my hands.
©2008-2009 ~livingcomforteagle
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Submitted: April 18, 2008
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Author's Comments

do you want to go to heaven?
(oh dear, oh dear) and if i show you my dark side?
well, should you meet your malcontent,
or maybe meet with an accident,
good daddies won't let you die.

oh, do you want to go to heaven?
i will never let you die.


there's a story in here, if you squint. it's between all the death.

word count: 620
listening to: one day he went out for milk and never came home - the paper chase
(c) LeeAnn - 2008
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Comments


This really sucked me in, again.

--
Hi, I'm Emily.
Oh dear. ;A; That's extremely vivid and depressing.

However, I still like it. c: You always manage to use the right words to create the imagery. :heart:
i'm glad you enjoyed it :)

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
D: :smooch:

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
i think i like this more than apocalypse yesterday. it's quite possible it may replace it.

and thank you :)

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
Amazing, as always.
Depressing, and yet still so beautiful. :]

--
J'aurais dû ne pas l'écouter, me confia-t-il un jour, il ne faut jamais écouter les fleurs. Il faut les regarder et les respirer.
~Le Petit Prince
This is like -

Like a sort of tragic love story, though maybe not the sort of sweeping, epic love that's the stuff of Shakespearian tragedies. Maybe it's a friend-love, or a family love, but it's love nonetheless. There's quite a deep current of affection running through this, but it's almost grudging. Like there's some resentment there, or like the speaker has no choice but to love the person.

*is probably so way off*

But the imagery is just so properly, lovelily morbid. You have such a gift for choosing the proper word.

--
Your heart is a muscle the size of your fist. Keep loving, keep fighting.
I think this might have more effect if you broke it up into separate poems. The first block before the first dash you placed, I am in love with. The rest is great too but it becomes tedious as one poem since it jumps around (not a lot) maybe break it into two or three parts?

But that is just one person's opinion.

--
We are all creatures of a particular time and place, and nobody, no matter how unique and iconoclastic, is immune to the subtle and pervasive force of social history.
Just a note to add to my previous post: After reading the poem for a second time I still think this could be broken into two parts but the different sections would have to be rearranged. And it might change the meaning a little if it was split and rearranged so... mostly never-mind.

--
We are all creatures of a particular time and place, and nobody, no matter how unique and iconoclastic, is immune to the subtle and pervasive force of social history.

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