the crevices and buttonholes of a landmine:
"hey, kid, what are you playing
that for, my word kid, don't you
ever get tired of breaking bottles
over your back? kid, kid, i can
see you through the walls, you
can see your big fluorescent shadow;
you scream at nighttime, i can hear
you, kid, you yell in big loud gulps,
and you never ever shut up, i can
hear you in the floors, sometimes
i cower in the corners of the living
room, in all the little green spaces,
and i yell your name back to you,
sometimes i reach over and touch my
dead carpet and whistle, and only
then, kid, only then do you response.
what are you playing that for, kid?"
[should i call you mister? should i call you sir?
those fingers are pearled, those fingers will make
ribbons out of me; i think i can see my stomach
in that one, the one tied up in purple.]
the universe in protest:
shattered thumps, your old glass figurines and the books
you read on grandma's train, her old fragile hair lines that
have melted into words doctors like to carry around on
their tongues, dogs waggling behind with sorry faces and
the marks of childhood adorable, cameras used to shoot
from my eyelids, age was never a disease, age was never
a sickness, age is something you stand behind, a cardboard
pattern and the texture of birds and roses, the smell of
mommy, tell me i was born beautiful,
mommy?
[i ate in fistfuls when i was a child. i was always
hungry, i was always starving. i always made my
teeth, my fingers, on the food first; i left holes, impre
ssions, i left marks and dents and injuries. i bled my
sandwiches until my hands were a sticky scarlet; i rip
ped chips apart into small squares, and i wore away
at candies, chocolates with the soles of my teeth, until
they were numb with scratch marks. my food was alw
ays mutilated, and my food could never, ever, raise a
hand against me, and could never tell me that one black
word, that one little catastrophic syllable. my soul.]
making love vs. having sex:
it's quiet. lovers weave
into the air until their limbs
are lost in it, legs patterned
in a sort of sinuous dance:
i never wanted to observe,
it was so sickeningly loud,
so terribly subtle, so gracious
and so, so disgusting.
the noise is clubbed.
it's all cheekbones and
furry legs and big, big
white spaces, these big
blanks where maybe love
and euphoria should be;
she yells, he cries, it drowns,
and i am whole. you don't know me.
you don't know me at all.
[i wanted to learn to play the piano. my fingers were
made for numbers and i thought in small little fragments
of whole thoughts, in little tiny bits and pieces; and it was
through these that i knew, i knew, i was made for notes, i was
made for the rhythmic sounds: i could close my eyes and hear my
heart, and i knew there was music in me, somewhere, and that through
a piano, i would be able to type out those chords and strings through my arms,
i would play those elephant-tusk keys until my fingers bled with the music, my veins
burst in a jolting crescendo, it would well up and i would be able to grasp a dying man's yelp
with my fingers and mold it into a beautiful, beautiful sound, something the world would listen to
and smile, collectively. something that could live in me and out of me, as one, as one big beautiful piece.
i never learned.]
when rainbows die:
she was one of those people
who believed in things like souls,
little beads of blushing, sweating
light that lived in the space next
to your heart. they glowed, they
were crimson and water and black
wires, like everyone had some sort
of good core and all these little evil
lines dotting the outside, pinpricks and
points and ugly little dancing strangers
in your house, in your car, tearing your
eyes apart. i am the space above your
nose, the wrinkles on your toes, the
scratches on your cd, the frames on
your mantle, but mostly i am the photo
of that sad and crying boy, holding a
graying stone in his hands, a plate of
dying wine and bread next to him. some
call him jesus, but i'm not so arrogant.
and she told me my soul must be green.
what does that even mean?
[i grew apples in my spare time. my hair grew out,
i got a plaited orange glow, my backyard turned
pink and brown, and i would take an apple in
each hand, soaked in melancholia, and i'd
imagine making stews, clothes, candies,
out of these delicate jewels; but i'd
smash in with my big angry aches,
my upset yellows, and i'd tear
and see the little stars inside
i'd broken apart, like i had
the whole universe in my
teeth, a whole crystal
wedged in me.
and for the first
time, it made me
feel like something
more than a person with
gangly arms and thick legs,
something with a whole universe
inside, something who could hold butterflies
and walk on walls, something with small and wispy
hands, something with a curve to their face, something
with a majesty on their forehead, some sort of crownless
ruler of all things flitting and all things blackened: i was a thing
of forbidden power, of a pulsating conscience, of big wide blued eyes
and Gods small smiles, with the sun in my stitched fingers. something pretty.]
the belief of miracles:
she was the kind who believed
in miracles, and i was the kind
with very pale arms, who talked
to a little boy through the walls on
the floor, who grew apples out of
pianos in his dead mother's backyard,
and with a soul made of green and apple stars.














Comments
this is fairly schizophrenic, and i mean that in a good while. related thoughts muster up, interject and conjure up more images just adding to the feast, very good, lovely imagery, and good tone.
i see why you like this.,
--
put the government back in the people's hands! [link]
<><><><><><><><><><><><><><><><><>
Love is foolish when handled by fools, but caution blows it too the wind.
gaah I am agitated because I can't add this to my favorites more than once. D:
--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
--
<Rosa-Nera> Wouldn't it be awful if you were like...
<Rosa-Nera> RAPED in your sleep
<Rosa-Nera> and you never found out about it? D:
<Hashipollo> That's how Jesus was born. :D
i also am rather partial to the piano sequence.
--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
--
put the government back in the people's hands! [link]
<><><><><><><><><><><><><><><><><>
Love is foolish when handled by fools, but caution blows it too the wind.
Everything you write could be lyrics to a beautifully chaotic song.
--
Flickr: [link]
LiveJournal: [link]
JPG Submissions: [link]
Blogger: [link]
--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
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