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if we could hide it by ~livingcomforteagle:iconlivingcomforteagle:



I look myself up in all the textbooks. On the side they try to tell me what inarticulate means in a blue-black box. I sit on the outside and drool my finger against the gloss, the shine, trying to capture it against my thumb, a personal moon. I sit outside of everyone else until I stand by the setup, biting my lips and holding my face, afraid it will fall apart, feathers and ash colored like white wine in my hands.

She comes over and says, Oh, looks like you're last, haha, and I say Um, I've been reading about Downs syndrome, and she says That book is about anxiety?, and I almost tell her it isn't, snatch her tongue and rip it up like a glass casing of papers on the floor, size zero, stress balls and wet washcloths.

The kid in the corner giggles over restless leg syndrome and one boy—hair like a stunted waterfall, dripping down in the mornings, eyes like blue shanties and green shoes—reads off lists of phobias and pauses at the Latin words, fumbling over his tongue like a phalanx of spiders, falling down in linked chains with their spear-eyes like buckteeth, and finally he says, Forget this, it's fireaphobia, because I said so, and the boy with hair woven from strands of sun says That's pyro, you idiot, and he says, Oh, like those pyromaniacs?

So, she says, her eyes like squashed, eager ants, searching for winter in the grateful tides of spring, are you going to be walking?

I glance at the foursome who giggle and bite fingernails over OCD and the books all set up with covers of girls on their knees, their faces a mosaic meant for churches, the seven thousand books on self-mutilation and the two shivery books on getting better, their fronts like untaken slices and stepped-on moss.

I'm thinking about it, I respond, and she leaves, satisfied.



It's my turn, now.

I summoned up every last pound of gut I could've come up with. I agonized over every word, I debated putting in jokes or not, I fretted over getting his email address wrong, I blushed over smiley faces until my face was a motioning bruise; I turned the letter onto its underbelly, arms up and flailing for support, I let gravity take it and I washed it clean, I typed all in lowercase and I made purposeful grammar mistakes and I touched the lovely temples on Casual, avoiding the pointy pinnacle of Earnest; I wrote that goddamn letter with every fiber and nerve in my hands and he did not reply for a month.

It's my turn, now. You'll get your response in May.



So, I hesitate, afraid. How do you know when you've crossed a line?, I wonder. How do you know when it's off-limits?

She leans in, shaggy-dog eyes, her blond hair flaying around her, her stomach constricting. She looks at me, curiously, and I look at her over a bridge and river of my fingers, the silver-green of my nail-polish.

Um, I say, do you have, you know, hyperventilation syndrome? They say it's really common with—with—

She smiles and I could kiss the words that fly out of her mouth in interruption. Yes, she says. I hyperventilate in a heartbeat. Breathe shallowly and all.

I touch her eyes with my imaginary arms, lending themselves to the air and the earth, and I let myself gaze at the orange posters about teenage depression on the wall, and I wonder if it has to be romantic to have a soul mate, or if this is what it feels like to come out of your hole.



Have a good weekend, he says, softly, softer.

I pause. I want something meaningful. I want to carry weight in simple words, I want to hold the hands of philosophy and beauty, I want to make his lips turn up or his eyes shine with understanding. I want to involve the man next to him, sitting with his ankles crossed like awkward is attempting a rape; I want to stop shaking against the box, bands trickling down my wrist and enveloping my hands in color; I want the most full, bloomed and perfect thank you in the world, one to stop poets in their tracks with their mouths as open as unspun webs, one to keep old dead Greek men entertained and fascinated by the conception, I want angels to stop and smile, frank and just as soft as the way his words turn against my mouth.

I take a breath. Plunge, I think. Quickly, now.

So did you get an email from my parents?, I manage.

His words are shelved, built. Mine die a little on the way out of the tunnel. I hang my head wishfully on the way out.
©2008-2009 ~livingcomforteagle
:iconlivingcomforteagle:

Author's Comments

has been scrapped.

freewrite. scrapping is in the (near) future.

you know, if this was back to the future, this could already be scrapped, in the past. except that it was submitted.. well, now. and there's no neato car or kooky professor or love interest and this is not 1985 and i am not michael j. fox, etc.



dismiss me. really.

word count: 805
listening to: two-headed boy, pt 2
(c) LeeAnn - 2008

Comments


love 0 0 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:iconghost-of-ink:
-blink- You know, it's not that your writing is awkward, but the way in which the person is described, it gives off this disjointed feel. I don't really know how to describe it. Your writing is lovely, is what I'm saying, and it gives enough detail and imagery that you can sense the hesitation and nervousness flowing from the character.

-flees- Ihavetogo!!! :heart:
:iconlivingcomforteagle:
i think this is good. disjointed is partially what i was going for.

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
:iconsweetlilac:
Beautiful; I have always loved your writing. This one, maybe the most.

I agree with Ghost-of-Ink, too.

Truly, truly gorgeous. Great job once again! :heart:

--
:heart: A friend is someone who knows the song in your heart, and can sing it back to you when you have forgotten the words. :heart:

We are the uber smexy wolf artists.
:iconlivingcomforteagle:
thank you so much! :)

hey, i haven't heard from you in a while. how goes it?

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
:iconfrancesdance:
I actually sat and read the whole thing on the first click this time. That usually doesn't happen. I've never been so engrossed. Usually, I wait till later and read them when I think I can concentrate on it better. But this one, this one, it reeled me in like a fish on a fishing hook. Thanks so much. I love your writing.<3
:iconbreakthatfall:
every sentence is beautiful :heart:
:iconsilverrain689:
Might i say, i've never read anything like your style. I love how the words, when put together, just nonchalantly roll off my tounge, like the word 'nonchalant'

Amazing!
:iconsweetlilac:
Pretty well. :] Lots of homework, but yanno, the usual.

And how have you been, my dear?

--
:heart: A friend is someone who knows the song in your heart, and can sing it back to you when you have forgotten the words. :heart:

We are the uber smexy wolf artists.
:iconshinpai-san:
Hold your head up and read about anything you want. Say it's for research.....you are a character above the ones you talk about. A few hang-ups maybe, but definitely smarter and way more talented. I think you are dealing with some of these things better than before, maybe? I hope so. Your feelings are subjective, you're not to be dismissed in any case.

--
:heart::heart::heart::heart::heart::heart::heart::heart::heart::heart:

"ART, like PAIN, is totally subjective." Now tell me how much better you feel.

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April 4, 2008
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